June 14, 2014

Blu-Ray Review: JOY RIDE 3

Starring Jesse Hutch, Kirsten Prout, Ben Hollingsworth, Dean Armstrong, Ken Kirzinger. Directed by Declan O’Brien. (2014, 96 min).
Fox Home Entertainment

Sometimes you just want to watch people die.

The original Joy Ride is no classic, but is a well-made variation of Duel and Breakdown aimed at the teen crowd, with an emphasis on suspense over carnage. I never saw Joy Ride 2 (yet somehow don’t feel my life is incomplete because of this), but Joy Ride 3 skips all the formalities of pacing, suspense & characterization to get down to the business of killing people as violently as possible.

Vengeful vehicular serial killer Rusty Nail is back, this time played by Ken Kirzinger, best known for donning Jason’s mask in a few Friday the 13th films. It doesn’t take much to get his road rage a-boilin’ anymore…just a few hotties and douche bags who cut him off on their way to a road race in Canada. I couldn’t tell you a single character’s name without looking it up, and would still have trouble matching a face with a name. It doesn’t matter. They aren’t here for us to get to know anyway. They’re just meat for the grinder as Rusty dispatches them one-by-one in a variety of agonizing ways. Their deaths are gruesome, gory and drawn-out for as long as possible. The only real tension lies in, not who dies, but how spectacularly they die (sometimes it’s very spectacular). Hence, Joy Ride 3 plays more like a backwoods entry in the Saw franchise than it does the original film.

My Heart Will Go On...the pavement.
Writer/director Declan O’Brien (best-known for a lot of direct-to-DVD sequels and his most-cheeky crowning achievement, Sharktopus) pours more love into these death scenes than any other aspect of the movie. The vehicular action is fairly dull (during the chase scenes, everyone looks like they’re obeying the speed limit) and the story forces characters to make the worst decisions possible under the circumstances, just so they can fall into Rusty’s hands one-by-one. But I think the best example of O‘Brien’s carnage-over-creativity philosophy comes at the end, with a highway patrolman’s final line in the film* (for those who hate spoilers, don’t follow the asterisk).

I’m making it sound like Joy Ride 3 is worthless, which isn’t quite the case. For a great number of horror films, mutilation is the message. In that context, Joy Ride 3 delivers, sometimes gloriously. Heads are crushed, eyeballs pop from skulls, appendages are shredded, bodies are splattered all over the highway and, in the best scene, someone is shaved in half in spectacular fashion. Best of all, it's all 'fun' gore, so over-the-top that it ceases to be truly disturbing. If geysers of blood and body parts are your cup of tea (personally, I’m forced to admit sometimes it is), Joy Ride 3 is worth checking out at least once.

EXTRAS:

  • Road Rage: The Bood, Sweat and Gears of Joy Ride 3
  • Riding Shotgun with Declan: Director’s Die-aries
  • Finding Large Marge
  • Audio Commentary
  • Deleted Scenes
  • DVD & Digital Copies


FKMG RATING:
1/2
(OUT OF 5)

*The patrolman stares into the distance and ominously says, “He’s still out there,” as though he were the first to ever utter those words in a horror movie.

June 13, 2014

HALLOWEEN: THE COMPLETE COLLECTION Coming September 23

Limited Edition 15-Disc Deluxe and 10-Disc Edition Brings Together ALL The Halloween Feature Films In One Massive Set For the First Time EVER; All-New Bonus Features, Collectible Packaging, and 40-Page Book Make This
THE Blu-ray™ Box Set Event of 2014!
Michael is Coming Home September 23

BEVERLY HILLS, CA – Last year, the horror classic Halloween celebrated 35 years of terror for those willing to partake in its vision of unrelenting horror. But that was only the beginning of the celebration. What producers Moustapha Akkad, Debra Hill and Irwin Yablans, writer/director John Carpenter and stars Jamie Lee Curtis & Donald Pleasence started in 1978 has transformed into one of the most durable, iconic – and copiously studied -- horror film franchises ever created. Before Jason, before Freddy, and before Jigsaw, there was…Michael.  Over the years, audiences have lived and relived the terrors of Michael Myers through ten feature films, as well as various re-edits and alternate versions. Yet to date, the complete saga of Michael Myers could only be told in pieces, in individual DVD and Blu-ray™ releases, with the rights spread across multiple home entertainment studios.

Until now…

Through the unprecedented collaboration of rival home entertainment companies Anchor Bay Entertainment and Scream Factory – the leading purveyors in horror home entertainment – Halloween: The Complete Collection Blu-ray box sets arrive September 23.

For the legions of Halloween fans, the Deluxe Edition boasts 15 discs and contains all the Halloween feature films – Halloween, Halloween II, Halloween III: Season of the Witch, Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers, Halloween: The Curse of Michael Myers, Halloween H20, Halloween: Resurrection, Rob Zombie’s Halloween and Halloween II.  The set includes the NEVER BEFORE RELEASED producers cut of Halloween: The Curse of Michael Myers as well as the ultra-rare network TV version of the original Halloween, the network TV version of Halloween II,  plus the unrated versions of Rob Zombie’s Halloween and  Halloween II.  It is packed with hours of BRAND NEW bonus features including new interviews with cast and crew from the entire franchise!  In response to years of fan feedback, the first Halloween will now also include the original mono audio track and the set will include both versions of the original Halloween-the original Blu-ray release and the recently remastered 35th Anniversary version with the mono track added back in! It also comes with a limited edition 40-page book written by Michael Gingold of Fangoria Magazine.  The collectible packaging will include a newly commissioned illustration on the outer case and each film will be in its own black Blu-ray case with the original theatrical one sheet as the key art. 

“This compilation is the ultimate collector's item for fans of the Halloween films and a testament to all the wonderful talent that have worked on them,” remarked Malek Akkad, President of Trancas International Films and son of series producer Moustapha Akkad.  “The partnership between Anchor Bay Entertainment and Scream Factory to present fans for the first time with all the Halloween films in one definitive package is a tribute to everyone – including my father – who made these films the terrifying classics they are today.” The 10-disc Edition includes the original theatrical versions of the Halloween films and will include select bonus features.

THE GRAND BUDAPEST HOTEL...with Lego Bricks

A very special opening awaits!  In celebration of the June 17th Blu-ray and DVD release of THE GRAND BUDAPEST HOTEL, Twentieth Century Fox Home Entertainment is readying to unveil a version of the illustrious European hotel constructed entirely of Lego bricks! 
 
Take a tour, with trusty lobby boy Tony Revolori, in this video showing how it was built!
 
#GrandBrickHotel

June 11, 2014

HANG ‘EM HIGH and the Dish Best-Served Cold

Starring Clint Eastwood, Inger Stevens, Ed Begley, Pat Hingle, Ben Johnson, Bruce Dern, Alan Hale Jr., Dennis Hopper. Directed by Ted Post. (1968, 114 min).

When I was a kid, my parents thought it was important that I played organized sports. Even though I’d never expressed an iota of interest, they signed me up for little league baseball in the fourth grade (mainly because Dad played it when he was a kid). I bumbled and fumbled through two seasons before they finally had to concede what I already knew…I was the worst outfielder in the known universe.

But they didn’t give up. Around this time, soccer exploded in popularity in Portland after it got its own pro franchise, the Timbers, and a law was passed requiring all parents in the metro area to drag their children kicking and screaming onto the playing field.

Personally, I didn't care about playing sports at all, let-alone something as alien as soccer. I was happy spending my free time riding my bike and hanging out with my nerdy friends playing Legos. My parents signed me up anyway; they really wanted an athletic son and, compared to football, soccer was relatively inexpensive - a pair of cleats and a ball - so if this turned out to be a debacle like baseball, their wallets weren’t quite as empty.

So there I was, in the fall of fifth grade on the first day of practice, feeling vulnerable standing around in shorts with pasty-white legs. Making matters worse was the fact most of the other guys on the team had been playing together for a few years, while me and one other new kid had never even seen a soccer ball before. The hazing process was humiliating indeed. Though I was always a fast runner, I could barely dribble the ball without tripping on my own feet, much to the amusement of my so-called teammates, who laughed at my ineptitude. I was also given a hearty welcome on that first day by a kid named Craig Parker, who was not only the best player on the team, but the coach’s son and twice my size. He was also a complete asshole, which I learned when he repeatedly snuck up behind me and yanked my shorts down. During subsequent practices, Craig also loudly jeered every time I fucked up (which was often). As the team’s forward and leading scorer, Craig took pleasure in, not only trash-talking every time he effortlessly dribbled the ball past me, but occasionally driving a cleated foot into my back after I fell.

"Get off my lawn."
During games, much to my dad’s chagrin, I was given five minutes of actual playing time, usually towards the end after a win or loss was a forgone conclusion. In either case, Craig got all the accolades because he scored all the goals.

Because soccer’s popularity was growing exponentially, new teams were forming on a regular basis. Before my first season was over, I was on a new team with similarly-inexperienced players, this time coached by my dad (apparently tired of seeing his son warming the bench for 85 out of 90 minutes). At this time, I still hated soccer, but my dad’s nepotism had me playing the entire game every week. Dad also realized, if I had any skill at all, it wasn’t scoring goals as a forward, but taking the ball away as a defender. Yeah, forwards got all the glory, but stripping them of the ball proved to be a lot more fun.

Our team still wasn’t as good as others in the league loaded with elite players, and twice a season, we were humiliated by my former team, led by Craig Parker, who was not only the best player in the league by this time, but one of the dirtiest, a master at throwing an extra elbow to the face or kick to the shin. Forced to defend him, I ended up with bruises and bloody noses as he trampled over me. Craig often taunted me with “faggot” or “pussy” as he thundered past on his way to scoring yet-another goal. What made it worse was I don’t even think it was anything personal…he treated every opponent this way, and I was just another non-entity under his cleats. As someone he repeatedly humiliated, I fucking hated him. But what could I do? Craig was far bigger and better on the field than I was.

Mostly thanks to my dad’s persistence, I improved a lot over the years, to the point where I grew to love the game. By the time I was a senior in high school, I was actually one of the league’s more feared defensive players, even earning a mention in our local newspaper, The Oregonian. Still, as much as I loved my brief moment of athletic glory, Craig Payne loomed large, ballyhooed in news stories dedicated exclusively to him. He scored the most goals every season, earned a soccer scholarship his junior year and continued mowing-down lesser players in his way.

We went to rival high schools (me, Clackamas, he, Putnam) and I briefly dated a Putnam girl, who invited me to their Sadie Hawkins dance, where I saw Craig. Incorrectly assuming we were only on-field rivals, I went up to say hi. He acted like I wasn’t worth his time, contemptuously sneering before he sauntered off with his girlfriend.

By the time we played our last soccer game against each other, I was pretty tired of being repeatedly belittled by this guy, both on and off the field. Unlike Craig, my days as a soccer player were numbered, down to a few games left on the schedule. As good as I was, it wasn’t enough to earn a scholarship. While we warmed up for our last game against Putnam, I occasionally looked across the field at Craig, smarmy and cocky as ever.

I’ve never been what you’d call confrontational, and not much of a fighter. I was pretty sure Craig could kick my ass if we met on the street. But we weren’t on the street today. If I was ever gonna exact any justice for years of torment from this douche bag, this was the day…on the playing field. It had been eight years since he first yanked-down my shorts for all to see. I wanted him to know I never forgot it.

So, halfway through the game, when he received a pass and proceeded to dribble down the field, with only me standing in the way of yet-another breakaway goal, the opportunity arrived. I didn’t go for the ball. I know that caught him off-guard, because in every previous encounter he used his skill to dribble around me or run me over. Instead, I slide-tackled him, cleats-up and aiming right at his knees. He yelped as we connected, and I’m pretty sure I heard something snap before he went down.

The referee blew the whistle, stopping play as Craig rolled around in agony, eyes huge and clutching his leg. I got off the ground and dusted myself off, just as the referee yellow-carded me (I was actually kind-of surprised it wasn’t a red card, considering what I did was obviously intentional). Another guy from his team ran up and shoved me. Normally, as someone who’s always been endowed with a keen sense of self-preservation and a realistic assessment of his own fighting skills, I would have cowered with my hands raised in defense. But today, I felt brave enough to casually nudge him aside and head to the bench.

Craig was assisted off the field and didn’t return. Putnam still won the game, but I didn’t care either way. I finally got my revenge in a forum sanctioned by the state of Oregon.

Taking a seat on the bench, berated by my coach for such a cheap shot, all I thought about was Jed Cooper and how good belated justice felt.

"When I said get off my lawn,
I didn't mean you."
Jed Cooper, as played by Clint Eastwood in the overlooked classic, Hang ‘Em High, is a cattle rancher mistaken for a rustler and lynched by a vengeful posse (though some of them are obviously here to see a man die). Cooper survives being hanged and is subsequently hired as a U.S. Marshall, charged with hunting down wanted criminals and bringing them back for trial. But Cooper hasn’t forgotten the men who tried to kill him, and understandably wants a bit of payback. Despite the relatively useless warnings of Judge Fenton (Pat Hingle), Cooper’s badge gives him carte blanche to track these fuckers down and waste ‘em (much like Robocop twenty years later). Sure, there’s a tad bit of debate over justice versus revenge, but thankfully, revenge wins over, often under the guise of justice.

I find that idea pretty cool. Turning the other cheek is overrated. Getting even is awesome, especially when the subject of your wrath becomes suddenly aware his wretched past has come back to haunt him. Whether or not I want to admit it, Hang 'Em High encapsulates my soccer career.

As a mature adult, I still shouldn’t think this way, but Craig really was a jackass, and I got even with him at his own fucking game. Even today, part of me still hopes the occasional twinge in his knee reminds him of the day he used to call me a pussy, yet said-pussy took him out.

That’s what makes Hang ‘Em High such a great revenge flick. Though blandly-shot by Ted Post (whose greatest screen credit is Magnum Force), the concept alone makes it more satisfying than the likes of Death Wish, Straw Dogs or Eastwood’s awesome-but-morally-ambiguous High Plains Drifter. Even though Jed Cooper’s not explicitly told, he is given legal permission to get even. Who of us hasn’t fantasized about exacting revenge with the law on our side?

That’s how I felt during that last game against Putman, watching Craig writing in pain as he was carted off the field. If I had done the same thing to him outside the gymnasium during that school dance, my parents would be bailing me out of jail. On the soccer field, however, it was the same as having a U.S. Marshall’s badge attached to my jersey. Today, I wish no ill-will upon him. As far as I was concerned, my cheap shot made us even, but I still wouldn't be heartbroken if he were hobbling around with a walker.

NAPOLEON DYNAMITE Cast Reunites for 10 Year Anniversary Statue Unveiling

Presidents of Fox Searchlight Steve Gilula & Nancy Utley opened the ceremony and introduced Q&A moderator Anthony Breznican (Entertainment Weekly) who chatted with writer/director Jared Hess and cast members including Jon Heder, Efren Ramirez, Tina Majorino, Diedrich Bader, Haylie Duff, Sandy Martin, Shondrella Avery and Carmen Brady. Then, Heder and Hess unveiled a brand new statue of Napoleon Dynamite complete with a 'Vote for Pedro' T-shirt and moon boots alongside his beloved tetherball pole that will live on the Fox Studios lot. The 10th anniversary edition Blu-ray is currently available for purchase now.

Haylie Duff, Shondrella Avery, Carmen Brady, Diedrich Bader, Jon Heder, Sandy Martin, Jared Hess, Tima Majorino and Efren Ramirez reunited after 10 years at the statue unveiling for ‘Napoleon Dynamite’ on June 9, 2014.

June 8, 2014

DVD Review: RESURRECTION - THE COMPLETE FIRST SEASON

Starring Omar Epps, Frances Fisher, Matt Craven, Kurtwood Smith, Landon Gimenez, Devin Kelley, Mark Hildreth, Samaire Armstrong, Sam Hazeldine. Various directors. (2014, 344 min).
Buena Vista Home Entertainment

Based on the premise alone, Resurrection looks destined to outlive its welcome by stretching-out a story which might have made a better movie than a television series (like Revolution or the ridiculously padded-out Under the Dome). Though renewed for a second season, it’s probably just a matter of time before Resurrection strings viewers along with so many unanswered questions and ambiguous plot twists that viewers become frustrated and quit watching. I hope not, because the eight episodes which comprise the first season are outstanding.

Playing like a drawn-out, subtly-sinister Twilight Zone episode, Resurrection begins with Jacob, a  boy who died tragically in 1982, suddenly waking up in a rice field in China 32 years later. He’s returned home to Arcadia, Missouri by immigration/customs agent Martin Bellamy (Omar Epps) and reunited with his parents (Kurtwood Smith & Frances Fisher), who are torn between shock and joy - decades have passed, yet Jacob is still the same eight year old kid he was when he died…almost. He seldom sleeps, his increased metabolism makes him hungry all the time and he can sense the presence of others who’ve recently returned from the dead, not all of whom are deserving of a second chance. In later episodes, Arcadia is thrown into turmoil as more former residents come back (even though their formerly-dead bodies still reside in their graves), dividing the town. In the interim, we learn a lot of secrets about both the dead and the living, many of which either have an immediate impact on this first season, or leave viewers hanging as the final episode ends with a cliffhanger.

This is how you deal with mimes in city parks.
Regardless of what’s ultimately revealed in season two, Resurrection does such a masterful job keeping you hooked that it’s likely no eventual explanation for these events will live-up to our expectations. Despite being compelled to binge-watch the whole season in one day, I couldn’t help but feel answers to the questions raised will be anti-climactic at best. This makes me think perhaps no explanation should be provided at all…keep everything murky, leave questions unanswered, let the viewer make their own assumptions. That’s not likely to happen, so maybe, as viewers, a show like this is best enjoyed in the moment, without the anticipation of a jaw-dropping payoff (like Twin Peaks was in the 90s).

In this context, Resurrection is very rewarding, with great performances and a smart story which slowly builds, adding compelling plot twists along the way. A few characters are a bit one-note or over-the-top (such as Angela Cartwright as a bug-eyed bible-thumper), and very few of our nagging questions are answered by the end of the final episode, almost like the entire season is just a prologue to a much bigger story. While I can’t help but shake the feeling that story will be a tremendous let-down, what we’ve seen so far is terrific.

EXTRAS:

  • Featurette: RESURRECTION: BUILDING A THEORY
  • Featurette: ON LOCATION IN GEORGIA
  • Bloopers
  • Deleted Scenes

FKMG RATING:
(OUT OF 5)

June 7, 2014

10 Movies Guilty of Providing Too Much Information


Earth is all water now...does it really matter why?
As a species, humans are collectively stupid, and we don't like to think too much for ourselves. But some of us are smart enough to figure a few things out on our own, and do not need every movie explained to us like a Dick and Jane book. That hasn't stopped Hollywood from sometimes making certain even the dumbest in the audience know what's going on. For example...

WATERWORLD - This movie actually starts off pretty awesome, with Universal Pictures' iconic logo of Planet Earth, all the land silently disappearing as the oceans rise. It's all the viewer really needs to know before the film begins proper. But the mood is ruined with a pointless voiceover..."The future...the polar ice caps have melted..." What, did they assume people in the audience would think Earth was simply changing color?

IDIOCRACY - Similar to Waterworld, this vastly unappreciated satire of the dumbing-down of society begins with a montage showing how people devolve into complete idiots over the next 500 years. The visuals do all the work. It's pretty amusing, but almost ruined by a ‘funny’ voiceover, explaining the obvious. If such a movie needs this narration, maybe we’re already the societyIdiocracy makes fun of in the first place.

THE TRUMAN SHOW - This movie totally blows it by letting the viewer knowright away that the title character is the oblivious star of his own reality program. After that, all we're doing is watching how long it takes him to figure it out. Wouldn't it have been cooler if we were forced to figure it out along with him?

WAR OF THE WORLDS (Both Versions) - Both movies begin with similar narration as a nod to H.G. Wells' original story, which also began with this unnecessary prologue. But really, if you haven't gotten the gist of the thing from the title alone, you're a dumbass.

Better dumb-it-down a bit.
MAXIMUM OVERDRIVE - One of Stephen King's best short stories, "Trucks," offered no reason why the world's machines decide to start killing everyone. But for some reason, this film (horribly directed by King himself), starts with Earth being caught in a rogue comet’s tail. That explanation is dumb enough, but then at the end, King tacks-on the lame-ass revelation that a malevolent UFO instigated everything.

PSYCHO - Even this, the ultimate slasher film, goes too far. It’s terrifying enough that the seemingly meek Norman Bates turns out to be ‘mother.’ Do we really need a five-minute coda at the end which explains his psychosis?


Midichlorians did this to my hair.
STAR WARS EPISODE I: THE PHANTOM MENACE - Raise your hand if you wanted a biological explanation of how The Force actually worked. Midichlorians? Really, George? We already accepted The Force for what it was, a mystic ability.

DUNE - Even today, this mega-budget bomb is baffling. There are a lot of astounding scenes, as well as some of the most quirky-ass characters ever featured in a mainstream sci-fi film. It’s still amazing this was helmed by David Lynch. Considering his reputation for ambiguity, I suppose it’s not surprising he’d include such a worthless narrative intro, which supposedly sets the stage, yet is still nearly incomprehensible. Even weirder are countless scenes of whispered internal monologue from characters throughout the film...they provide nothing which makes the murky plot any clearer, nor do they offer any info the viewer couldn’t have picked up on their own.

BLADE RUNNER (Original Theatrical Release) - Harrison Ford’s tacked-on voice-over to this cerebral story was one of the main criticisms of Blade Runner when initially released, by adding completely unnecessary exposition. And indeed, Ford's narration truly did render it little more than a 21st Century detective story similar to the cheap film-noir of the 50s. Later editions of the film have remedied this, making Blade Runner one of the few movies ever retooled to acknowledge its audience had at least a little bit more intelligence then originally given credit for.

HALLOWEEN (Remake) - What made the original John Carpenter movie scary is that we knew almost nothing about Michael Myers...he was the personification of evil because he killed without motive. Rob Zombie’s ill-advised remake, however, is mostly an origin story, and we’re subjected to depressing scenes of Myers’ abused childhood in an attempt to make him somewhat sympathetic. The problem with that is we end up knowing so much about Michael that, when he finally dons his infamous mask, he’s not scary anymore.

June 5, 2014

GREAT POSTERS FOR BAD MOVIES

Movie posters are a dying art. Today, when we walk past them in a theater, we look at the title, release date and cast to determine whether or not we'd pay to see it. But back in the day, before the internet, posters really had to sell movies, which meant hiring artists and photographers with enough creativity to (sometimes deviously) get butts planted in theater seats. In the tradition of P.T. Barnum, sometimes the best posters were used to entice moviegoers into seeing the worst movies.

THE GIANT SPIDER INVASION
Imagine everyone’s surprise when the metropolis depicted in this painting turned out to be a backwoods Wisconsin town full of cabins and trailer parks, and the attacking arachnid was a fur-covered Volkswagen. 

AIRPORT 1975
There is nothing in any of the Airport films as cool as this picture.

STAR WARS EPISODE I: THE PHANTOM MENACE
It’s ironic that the worst Star Wars film has the best teaser poster ever created, which maybe played a small part in raising everyone’s expectations to a level no film could live up to. How could any fan look at this and not get their hopes up?

SHOWGIRLS
This poster is the sexiest thing about the entire movie.

FRIDAY THE 13TH, PART VII: JASON TAKES MANHATTAN
The title and poster suggest the franchise might finally be developing a self-aware sense of humor. But alas, it’s the usual slasher business. Jason only stalks the Big Apple during the last 15 minutes or so, and most of those scenes were shot in Vancouver.

JAWS 2
Another beautiful teaser poster with one of the greatest taglines ever created for a sequel. Jaws 2 isn’t exactly a bad movie (compared to others on this list), just completely unnecessary, since the original Jaws is a damn-near perfect film, its cultural impact unprecedented for the time. Still, Jaws 2 was one of the biggest films of 1978, largely due to an ad campaign far more creative than anything in the movie itself.

HEAVY METAL
This beautiful poster has sexy, fantastical and detailed artwork, making this cult film look like the last word in artistic adult animation. Too bad the movie itself is a sophomoric, sleazy carnfest, with animation on par with Saturday morning cartoons of the 70s and 80s. If you’re of a certain age who fondly remembers this film, try watching it now…without bong hits.

THE GAUNTLET
As painted by legendary fantasy artist Frank Frazetta, this poster makes The Gauntlet look like a dark, apocalyptic thriller…urban destruction, Clint Eastwood depicted as muscular & indestructible, with Sondra Locke clinging to him, tattered clothes revealing her curvaceous body. Too bad the movie itself is one of the most insultingly stupid action films of the 70s, loaded with lame humor, awful dialogue and a truly terrible performance by Locke (who looks about as sexy as a malnourished, white trash crack-whore).

FROGS
Yeah, we all know frogs are only marginally more terrifying than rabbits, who are subjects of their own daffy drama, Night of the Lepus. Even those charged with promoting that film were aware of the stupidity of the premise, and wise enough to exclude any hint of bunnies in the ad campaign. The poster for Frogs is almost endearingly cute, presenting the title creatures like carnivorous Muppets.

PHANTASM II
I’m probably in the minority on this, but the original Phantasm is a boring, badly-acted and mostly amateurish attempt at surrealism. However, not only was the one scene involving a flying, skull-drilling killer sphere the best part of the film, it made the entire franchise a brand name. Commercially, the spheres were best exploited in Phantasm II, prominently featured on the poster, in trailers and in the film itself (which isn't any good, either).

June 3, 2014

THE MUPPETS and the Art of Bitchcraft

Starring Jason Segel, Amy Adams, Chris Cooper, Rashida Jones. Directed by James Bobin. (2011, 103 min).

When I’m not writing of my adventures in the dark for you fine folks, I’m a middle school English teacher. Kids this age are a tumultuous lot. Half are still riding bikes, dressing Barbies and playing with Legos, the other half are groping each other in the halls and twerking at school dances. Managing a class of 30 of them thrown together, six periods a day, is definitely a challenge.

The thing about being an educator is you never stop learning. I don’t mean the graduate courses, professional development workshops, first-aid training, constant curriculum changes and other bullshit you’re required to endure throughout your entire career in order to keep your teaching license up-to-date. That’s just hoop-jumping (probably dreamed-up by assholes who resent the fact you have summers off). Since earning my initial teaching degree 18 years ago, I’ve learned two things vital to my career…

"Fozzy! No groping!"
First, always follow the lead of the more-experienced teacher in your content area. In my case, that person is Laura, my teaching partner & the closest thing I have to a second wife (meaning I do whatever she says with a nod and a “yes, dear”) for the past 17 years. I learned more from her in my first month as an educator than the previous five years I spent in a classroom training for the job. For those of you just beginning the profession, the sooner you accept the fact your new degree doesn’t suddenly make you Mr. Holland, the better off you’ll be. On a related note, the longer you teach, the more you'll chuckle at the hiring of the young, cocky & idealistic new educators fresh out of college and convinced they’re gonna change the world one child at a time. You’ll spot ‘em easily…they’re the ones wearing sandals.

Second, kids (and their parents) will bitch about damn near anything, especially middle schoolers, and you’ll be the target of their wrath. It’s one thing to piss and moan about having to write an essay, show your math work or read a novel (hell, I did that regularly), but they’ll even complain endlessly about shit totally unrelated to their grade…dress code, tardies, gum in the classroom (for some reason, gum is a huge issue with them, acting like helpless heroin addicts if they’re denied this right). Since they consider you the face of authority, it’ll be all your fault. By the way, as advice to any new teachers, forget about applying logic to refute their complaints. I tried that a few times, informing them that gum once wasn’t against the rules; it was only after it was found stuck under desks, tossed to the floor and smashed in the pages of textbooks that gum was banned, just like robbing a bank wasn’t illegal until someone actually did it. I thought I was articulate and clever, but was simply met with blank stares or claims they wouldn’t do the same thing (kind-of like people bitching a about gun control because they’ve never personally shot anyone). And again, these kids always act like I’m the one oppressing them.

"Stop it, Fozzy! I'm ticklish there!"
The bitching doesn’t stop there. We get complaints from the gallery even when we’re rewarding them. Case-in-point, as of this writing, the school year is drawing to a close and our curriculum forced us to schedule the district writing assessment at the end of the year; Laura and I made an arrangement where students who needed that last day of school to finish would go to her room, and those who were done early would come to my room and celebrate the year’s end with a movie. Initially, I thought I got the better end of the deal, popping-in a DVD to entertain them while I scored papers, entered final grades or surfed the internet (mostly the latter). In an effort to placate the masses while bound by the district rule of only showing G or PG films, I brought three recent movies which kids could choose from, Frozen, The Croods and The Muppets.

Three classes in a row voted for Frozen, which I incorrectly assumed everyone would be sick of by now (as a father of two Disney-junkie daughters, I was growing weary of it myself). Sure, a few kids bitched (guys too cool to raise their hands during the voting process), but not only was it what the majority wanted to watch, they sang along and even recited much of the dialogue with the characters. It was like a pre-teen version of The Rocky Horror Picture Show and initially kinda cute (there's nothing like a good Disney movie to bring out the little kid in everyone). But by the third class, I was ready to pull my hair out. Too much of anything in a single day, even a movie as wonderful as Frozen, can be harmful to one’s health…not my health, but the kids belting-out “Let it Go” as loud as possible and me with a baseball bat handy in a closet only three feet away.

For the sake of my own sanity and their survival, I removed Frozen as one of the choices for the remaining classes. This was when the bitching commenced in earnest, after informing the next class their choices were The Croods or The Muppets. Some kids groaned and rolled their eyes as though I just assigned a 500 word essay.

“Would you rather be in Mrs. Queen’s room scrambling to get your work finished?” I retorted, refraining from adding, you fucking little ingrates.

This seemed to shut most of ‘em up, except Mike, who’d been a pain in my ass all year (always blurting out whatever popped into his head before actually thinking first). He quipped, “But these are stupid kids’ movies.”

“Sorry, big man,” I replied. “I guess you’ll have to wait ’till you get home to watch Bikini Car Wash again.”

"Stop it, Fozzy! I'm ticklish there, too!"
Most of the class laughed, which immediately shut Mike up, flush-faced and humbled. As an educator, I’m not supposed to admit this, but there’s sometimes a great deal of satisfaction in cleverly burning a smart-ass kid in front of the peers he's trying to impress.

Anyway, The Muppets got the majority vote by only one hand. More groans erupted from a few kids, one who contemptuously spat, “I hate Muppets. They’re stupid.” (he was from Laura’s class, and another one of those too cool to raise his hand).

I nearly popped a blood vessel, but bit my tongue.

Okay, I understand some people may not have liked The Muppets (though until now, I’d never met any), but a blanket statement declaring your dislike of all things related to Jim Henson’s beloved creations? This kid must have some faulty wiring, because who the hell doesn’t love the Muppets? Even some of the would-be gangstas in class looked at him funny.

There’s a short list of things in our culture we justifiably assume every right-thinking individual loves:
  • Pizza
  • Puppies
  • The Beatles
  • The Wizard of Oz
  • Tom Hanks
  • “You Shook Me All Night Long” 
  • The scene in Field of Dreams when Ray finally plays catch with his dad
  • Betty White
  • Chocolate
  • Air
  • …and the fucking Muppets
If you happen upon someone who declares a genuine dislike for anything on that list, walk away and don’t look back. They're bad people.

Anyway, I popped The Muppets into the DVD player and went back to finishing my grades for the year, occasionally looking up at Mike and this other Muppet-hater, silently hoping the Oscar-winning song, “Man or Muppet,” was now part of their own personal Hell.

Maybe it’s me, but I don’t get the whole bitch-about-everything mindset so many self-centered assholes embrace. Whenever HBO or Showtime offers me free weekends, I don’t piss and moan over what they offer. They don’t owe me a free weekend, just like I don’t owe these kids a movie on the last day of school. Whether they like the movie or not makes no difference to me, so I’m not sure what they think they stand to gain from complaining about it.

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